How do Beckett and Kafka subscribe to the imprisonment of the main characters in delay for Godot and metamorphosis ?
In relation to the works Waiting for Godot and Metamorphosis, imprisonment burn down either be collective imprisonment or personalized imprisonment. In both cases, it includes the restriction of personal freedom, the limitation of attain and the deprivation of human contact. My objective is to investigate in what shipway Beckett and Kafka convey the imprisonment of the main characters, and to examine the significance of their imprisonment. consequently I will focus on Gregor Samsa in Metamorphosis and Vladimir and Estragon in Waiting for Godot.
Vlaimir and Estragon are put behind bars in that they are trapped in an interminable cycle. Consequently, they sustain habitual dialogues and play senseless games in order to depart their desperate situation.
The main characterss imprisonment is expressed allegorically by the cyclic quality of the play. Comments like nonhing to be through, Were waiting for Godot and Its not certain recur throughout the play. Not only do both acts begin with the entrance of Vladimir and destination with the stage direction that Vladimir and Estragon dont move, but as their encounters with Pozzo, Lucky and the Boy happen twice. Contrary to what the audience expects, these encounters do not contribute at all in convey about a change in Vladimirs and Estragons lives.
Instead, the repetition of words, actions and events convey the impression that the main characters are trapped in an endless cycle, the latter being further symbolised by
Vladimirs song about the bob who came in the kitchen. The song contains two stanzas which Vladimir continuously repeats.
Estragon and Vladimir try to discommode themselves from their imprisonment by undergoing habitual dialogues. After Vladimir has reminded Estragon of their commerce to wait for Godot, Estragon exclaims in a despairing musical mode Whatll...
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